venusmacabre:

sanguine-sangheili:

tariqah:

tariqah:

Link

“We want the museum to understand that the moai are our family, not just rocks. For us [the statue] is a brother; but for them it is a souvenir or an attraction,” said Anakena Manutomatoma, who serves on the island’s development commission. “Once eyes are added to the statues, an energy is breathed into the moai and they become the living embodiment of ancestors whose role is to protect us.”

isnt the point of a museum to preserve history though? id prefer something be in a controlled environment than outside in the elements.

The moai have been standing JUST fine in the open in the island for literal centuries. Believe it or not, the Rapa Nui are NOT stupid; they know their island, how to live in it, and what materials and treatment to those materials do or do not last in the island they’ve called their home for ages. The moai are MADE to be “outside in the elements”.

And preserved for whom? I’m sure my ancestors wouldn’t feel it’s preservation to have a LIVING piece of their culture stolen by colonizers and kept away from them all this fucking long when I assure you, no one asked for their permission to take it in the first place.

That’s not fucking “preserving”, that’s just fucking stealing.

ladymetroland:

savedforslaughter:

Folks, deserts are not “empty” or “lifeless” they are often teeming with beautiful and incredible life adapted to conditions of extreme dryness. The widespread idea that deserts are lifeless or that the wildlife there isn’t important is something that businesses of all types (mining companies, housing developers— especially true here in AZ— and even commercial farmers) take advantage of this in order to continue exploiting desert habitats.

I don’t know if this is true for America, but in Australia this is absolutely also tied to the repeated disenfranchisement of aboriginal people. Example: when we’re taught about the Maralinga nuclear tests the area is described as barren and devoid of life. It was not. There had been a mission there, and there was still a large aboriginal community living in the area, but playing on the idea that everything inland of Mount Gambier is a barren wasteland made it easier to pretend that, if it hadn’t been for two men giving the people living there about an hour’s notice, this country would have vapourised an entire community of people.

Everyone knows nothing can live in the desert, ergo the large groups of people who still live there can’t exist. So we can sell it for mining rights and none of the white people living on the coast will even hear about it.

curlicuecal:

todaysbird:

a rare closeup of a black swift, found throughout north america and small parts of south america. swifts are rarely seen up close; they spend more of their life in air than any other species of bird – they eat, drink, mate and sleep while in flight. they are incapable of perching like other birds; they must cling to vertical surfaces.

(x)

I had to look this up because “sleep while in flight” ????

but yeah, apparently completely true.  these birds stay aloft for as much as 10 months nonstop, feed on insects, spend more energy at night (when there aren’t warm thermals to ride) and at dawn and dusk climb to 10,000 ft altitude where the 30 min slow descent is probably when they catch their sleep.

they’re unusually long-lived for such active critters (20 yrs) and they may be limiting energy expenditure by being extremely aerodynamic and narrow bodied.  Also a single bird travels the distance of about 7 roundtrip journeys to the moon in its lifetime (>3 million miles).

[x]

bandnerdbean:

fandom-and-feminism:

xxdemiigodxx:

biggest-gaudiest-patronuses:

idkwhatimdoingbutimgonnacontinue:

thewritehag:

biggest-gaudiest-patronuses:

necphilak:

biggest-gaudiest-patronuses:

codenamemaximus:

biggest-gaudiest-patronuses:

30-minute-memes:

corn flaek

it’s because reality is terrifying and our world’s dying, and our developmental years were spent in a constant state of using increasingly nonsensical humor to cope

It’s called the rise of neo-dadaism and the same thing happened during WWII

well that’s not concerning At All

time out hold up sweetheart let’s get it together before you wanna spread  art historical misinformation

@biggest-gaudiest-patronuses​ has a spot on summary of the dada ideology; these artists reacted to the horrors and atrocities of WWI by embracing nonsense in a world that no longer seemed to make sense

but the period we’re in right now is decidedly not neo-dada! you know why? because neo-dada already happened, and not during WWII but during the 60s and 70s, through artists like robert rauschenberg, yves klein, yoko ono, and nam june paik.

what was going on in the 60s and 70s that might involve “terrifying” reality and “increasingly nonsensical” coping methods? the cold war! now the cold war is in much more recent memory,

but if you wanna talk about nonsensical coping methods among millennials? i would say “lol xD so random” culture is probably the best starting point, which is definitely post-cold war (knowyourmeme is giving me 2004 as a good benchmark date).

2004 is only three years after 2001 so this resurgence of dada thinking could easily be seen as initially a reaction to 9/11, and we can then trace the antics of the bush administration, the shift of the overton window, the rise of internet culture, the 2016 election, and the current political moment as developmental factors behind this current dada moment.

so since neo-dada already happened and this is definitely its own thing with its own factors, and since a big part of our dada is the influence of the internet on modernity, i posit that we start calling this e-dada or #dada


tl;dr: neo-dada is already taken, it happened in the 60s/70s, we’re doing our own kind of dada now

e-dada

dada kink

Is it too late to delete my tumblr?

it’s never too late

This is deep, concerning and yet heavily ironic, because right after the profound historical post comes…dada kink. This is an effect of e-dada

I have not laughed at anything as hard as I just laughed at cornn flaek

YALL DIDNT HAVE TO GO THAT HARD I WOULD HAVE REBLOGED FOR CORNN FLAEK

anistarrose:

Normally I don’t like bringing this up, but: Tumblr is making it increasingly difficult for writers and artists to get their posts to show up in tags and searches, meaning that our fics and art are being exposed to fewer people. 

Yes, it’s still possible to get posts to show up, but in the case of the search function, it’s only if they have no links – not even links to other Tumblr posts. For people like me who include links to other chapters in my fic so readers can get caught up on chapters they might miss, this is a huge problem. I basically have no choice but to include those links, or else I would make things massively inconvenient for my readers.

So why am I telling everyone this? Because this means reblogs are becoming more and more important to creators. With posts so difficult to find in searches and tags, reblogs are one of the few other ways for people to find new artists or writers.

You’re under no obligation to reblog my stuff, of course, but I want to put it out there why reblogs are so important to those of us who write/draw/create content.

(Also: While I’ve personally verified the stuff that’s going on with searches, I have no clue what’s going on with tags. Some of my stuff is showing up there, some isn’t, seemingly with little correlation to the links included. So tags might not be quite as strict, but they do seem to be less consistent.)